The Queen, 2019   Acrylic and oil on canvas  Framed in Australian oak  $1,500 AUD  Location: Cheltenham

The Queen, 2019

Acrylic and oil on canvas

Framed in Australian oak

$1,500 AUD

Location: Cheltenham

Steve Hart 2018   Acrylic on Marine Ply  67 x 74 cm  Framed in Australian oak  $1,600 AUD  Location: Cheltenham

Steve Hart 2018

Acrylic on Marine Ply

67 x 74 cm

Framed in Australian oak

$1,600 AUD

Location: Cheltenham

Perception and Reality, 2019   Acrylic and oil on board  61 x 56 cm  Framed in Australian oak  $1,500 AUD  Location: Cheltenham

Perception and Reality, 2019

Acrylic and oil on board

61 x 56 cm

Framed in Australian oak

$1,500 AUD

Location: Cheltenham

Makes No Difference to Me, 2019   Acrylic and oil on canvas  61 x 61 cm  Framed in Australian oak  $1,500 AUD  Location: Cheltenham

Makes No Difference to Me, 2019

Acrylic and oil on canvas

61 x 61 cm

Framed in Australian oak

$1,500 AUD

Location: Cheltenham

The Man with the Shiny Star, 2019   61 x 61 cm  Acrylic and oil on board  Framed in Australian oak  $1,500 AUD  Location: Cheltenham

The Man with the Shiny Star, 2019

61 x 61 cm

Acrylic and oil on board

Framed in Australian oak

$1,500 AUD

Location: Cheltenham

Vincent the Revolutionary   Acrylic and oil on board  62 x 57 cm  Framed in black Australian oak  $1,800 AUD  Location: Armadale

Vincent the Revolutionary

Acrylic and oil on board

62 x 57 cm

Framed in black Australian oak

$1,800 AUD

Location: Armadale

The Farm Labourer 2018   Acrylic on Marine Ply  64 x 64 cm  Framed in black Australian oak  $1,600 AUD  Location: Cheltenham

The Farm Labourer 2018

Acrylic on Marine Ply

64 x 64 cm

Framed in black Australian oak

$1,600 AUD

Location: Cheltenham

The Bushranger 2018   Acrylic on Marine Ply  64 x 59 cm  Framed in black Australian oak  $1,600 AUD  Location: Cheltenham

The Bushranger 2018

Acrylic on Marine Ply

64 x 59 cm

Framed in black Australian oak

$1,600 AUD

Location: Cheltenham

Vincent   Acrylic on canvas board  51 x 61 cm  Framed in black Australian oak  $1,600 AUD  Location: Cheltenham

Vincent

Acrylic on canvas board

51 x 61 cm

Framed in black Australian oak

$1,600 AUD

Location: Cheltenham

The Explorer 2018   Acrylic on Marine Ply  64 x 54 cm  Framed in black Australian oak  $1,600 AUD  Location: Cheltenham

The Explorer 2018

Acrylic on Marine Ply

64 x 54 cm

Framed in black Australian oak

$1,600 AUD

Location: Cheltenham

Elvis Presley 2018   Acrylic on Marine Ply  64 x 64 cm  Framed in black Australian oak  $1,600 AUD  Location: Cheltenham

Elvis Presley 2018

Acrylic on Marine Ply

64 x 64 cm

Framed in black Australian oak

$1,600 AUD

Location: Cheltenham

Ned Kelly 2018   Acrylic on Marine Ply  60 x 56 cm  Framed in black Australian oak  $1,600 AUD  Location: Cheltenham

Ned Kelly 2018

Acrylic on Marine Ply

60 x 56 cm

Framed in black Australian oak

$1,600 AUD

Location: Cheltenham

Ned Kelly 2018   Acrylic on canvas board  64 x 54 cm  Framed in black Australian oak  $1,600 AUD  Location: Cheltenham

Ned Kelly 2018

Acrylic on canvas board

64 x 54 cm

Framed in black Australian oak

$1,600 AUD

Location: Cheltenham

Nick Osmond

I am only new to painting, and for nearly four years I’ve worked almost every day, anchored in an intuitive sense of colour and guided by emotion, as I work the surface to achieve a unity of colour. I work in a loose semi abstract style, painting figurative images based generally on past and current narratives in Australian history.

My only knowledge of painting was Sidney Nolan. I absorbed his style, for months and years. This has evolved further through the influences of Adam Cullen, Paul Gaugain, Idris Murphy and Rhys Lees. I love the Gaugain quote, “If you see a tree as blue, then paint it blue”.

I have great energy in my brush work. I work wet on wet, with whatever colours are there. There is a flatness to my picture plane, where I play between depth and space. I do like the banality about it. I use acrylic paint because of its dullness, as I work to create clashes in regards to colours.

I try to reduce detail and set emotion, as a means to create subtly, and greater space for colour to say everything.

My big dream is to be able to communicate what life is like here, in Moree. The people, the trees, and the light.